sajith: (Default)
shadow play

I wanted to write something here while connection to the Internet ethers lasts, but forgot what it was. Guess it was this: I kind of miss writing something here now and then.

Like all of you good people, I too miss the Good Old DaysTM when livejournal used to thrive. I miss those conversations.
sajith: (Default)
Yo. I just Uncle-fied you.

There's this new guy in the family; and a new mother, new father, new grandmother, new grandfather. And a brand new uncle.

Grow up quickly mister. We have things to learn, things to do, things to break, things to mend, places to go, places to come back from. Quickly quickly grow up.
sajith: (Default)
People, if you would not be bothered too much, would you mind visiting this set of pictures from Pondicherry? (Sales pitch: You get to see a great deal of colour cast on pictures shot on expired slide film! And puppies! And an almost naked [ profile] maxaud!) And, if you are reasonably satisfied after the viewing, would you also mind leaving some standard-issue flickr comments (such as: "great capture", "nice image"; and never: "this sucks!")? That would justify my spending a great deal of money on developing two rolls of expired medium format Kodak Ektachrome E100VS film. Much thanks in advance. Really, I would appreciate that.

puducherry puducherry

puducherry puducherry

(In Bangalore, Prabhu Digital's rate for developing a roll of slide is Rs 500. That would be Rs 750 at G G Welling, but I suspect G G Welling basically sends it to Prabhu and pockets a cool 50% middleman's margin -- that is what they did with another roll of medium format colour negative anyway. No prizes for guessing whom your humble correspondent entrusted with developing his precious chromes. Lesson has been learned the hard way, which would be: wisdom is what happens after the credit card has been swiped.)

Also, have you read Introduction to Poetry? ("I ask them to take a poem / and hold it up to the light / like a color slide". Thanks so much for reminding, Dem.) While digging the Internet for more Billy Collins, I came across this (Walking Across the Atlantic, from "The Apple That Astonished Paris"):

I wait for the holiday crowd to clear the beach
before stepping onto the first wave.

Soon I am walking across the Atlantic
thinking about Spain,
checking for whales, waterspouts.

I feel the water holding up my shifting weight.
Tonight I will sleep on its rocking surface.

But for now I try to imagine what
this must look like to the fish below,
the bottoms of my feet appearing, disappearing.

Just to say this much: that is what we all ought to do when we go near the seaside. No?


Jan. 21st, 2009 10:40 pm
sajith: (Default)

Here is a bunch of old pictures from Gokarna, back from 2007. I was just reminded of them by [ profile] purely_narcotic's group invitation in flickr. (Thank you.)

Keralappiravi dinam (the day Kerala as we see it on the map today was born under the provisions in the State Reorganisation Act 1956: November 1, 1956) fell on one of those days. This we celebrated by walking about under the sun on the beach sand, with intermittent supplies of beer made by our favourite alcohol baron's bird-logo'ed company. (Right, November 1 is Karnataka Rajyotsava also, to be fair to the lovely people that's provided us with economic refuge. Salut. Merci.)

On the other hand, legend is that Parashuraaman (alias Parashurama, alias Parasuram) hurled his mighty axe all the way from Gokarna to Kanyakumari, and then rose from ocean the glorious People's Communist Democratic Republic of Kerala. Until the first democratically elected Communist government actually happened, and them filthy Comminists brought the Kerala Land Reforms Act (1963) into effect, descendants of the original Brahmin settlers to whom Parashuraaman had relinquished land rights (this was out of caste allegiance, I believe) ruled over all Kerala landmass. (Feel free to form your own Brahmin hegemony conspiracy theory, or variants, or counter-theories thereof.) Anyway, this is the mythological and perhaps historical significance of Gokarna, at least for us beef-eating, rum-drinking (this bit about food-alcohol habit is not vast generalisation, my Highly Scientific Observational Study has proven this to be correct) abnormal Indian populace. So while there, we naturally joked about throwing another axe in the same general direction in order to claim some more expensive real estate. After all we owe it to the original land-grabber, don't we.

Now, what's interesting about this picture is that four of us saw the same thing and shot it in more or less the same way.
  • Here is a picture [ profile] maxaud took, with his digital SLR, with a 50mm f/1.8 lens.
  • Here is a picture blackfin2 took, with his digital SLR, with his almighty Canon L-series lens.
  • And here is a picture lomax13 took, with his paavam film SLR and a paavam "kit" lens, on Kodak Ektachrome (E100G or maybe E100VS) slide film. This by far is my favourite of the lot.
(Right, pseudonymous sissies, all three of them.)

I believe this is sufficient reason for continued love for film, even in its humblest incarnations: those days I carried an old light-leaking Yashica Electro 35 GSN with me, and this was shot on some very ordinary Kodak Colour Plus film or something. (I actually like the light leaks.) We further discovered the very cheap Sterling 125 B&W film (Rs 35/roll, no more) in a Gokarna photo studio. Apparently this is Lucky film or something bulk-loaded into rejected film canisters. It'd have been wonderful if I could find some more of that to play with. (Results from this film are actually quite decent. I haven't made prints or anything, still.)

(I apologize for using too many brackets, including this one.)
sajith: (Default)
Jedi Ganesh

You had no idea old Ganapati was a secret Jedi Knight, had you?

(In the interest of full disclosure: the only Star Wars movie I've seen is Revenge of the Sith. And I slept through most of it. But that doesn't make a lightsaber on Ganapati any less cool, does it?)


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